Arnaud Maggs, a prolific and intelligent Canadian artist, visited my university (Sheridan/UofT) when I was an undergrad to discuss what was then a relatively new body of work, "Notification XIII."
So inspired was I by the death letters, typically a
means of communication during war time about a relative's passing. I got
it in my mind to somehow emulate the idea. The original concept
revolved around a-found-object-and-multiple approach, and I intended to
use leftover pieces from a General Idea show to complete the project.
The results were pretty disastrous.
At the time, I was an assistant with the Blackwood
Gallery. We had just launched a massive retrospective of General Idea's
work to great acclaim.
Equipped with a decent amount of naivety and a-lot-to-be-desired-in-the- way-of-communication
skills, I sheepishly asked AA Bronson, one of the groups founding
members, if I could use some of the discarded red and green pill-shaped
mylar balloons after we struck the show.
The original intent of the GI exhibition was to have
visitors take the balloons away once they lost their helium. The effect
was stunning, though some of the taller visitors got the (literal)
upper hand as they were able to reach their prizes more easily. There
were still dozens left over that hadn't come low enough to catch. When
we struck the show, we climbed up on our scaffolding and pierced the
balloons that remained. I tucked some away in the hopes that AA would
let me use them.
After some coaxing on my part, and on the proviso
that they were only to be classified as found objects, AA graciously
agreed. However, it wasn't before he mistakenly thought that I had taken
some of the pre-inflated balloons home with me.
I was an undergrad and very badly wanted to be a
"real artist," whatever that meant to me at the time. The paralyzing
fear of actually asking a "real artist" such a delicate question about
his work made me breeze over my original intent, neglecting to tell him
that the balloons I wanted to take with me were already pierced and
ready to be discarded.
A few confused e-mails later, I sorted out my
diction, with the hope that AA wrote me off as a harmless idiot and not
an art thief.
The end result of my project
ended up being hand stamped death letters in black ink (referencing not
human death, but the death of the pierced contents) with a balloon
folded inside each one. The contents were then given anonymously to
friends of mine across the city.
It ended up freaking out mostly every recipient, due
to the anonymity of the letters. To top it all off, one poor friend was
being stalked at time. She thought my balloon letter was a
twisted/weird parcel from the guy who was following her.
All in all, the project managed to irritate one
prominent artist, compromised several personal friendships, and took a
lot of explaining and apologizing before it came to a close.
Sometimes, I still blame Mr. Maggs - though he can hardly be held accountable for my complete lack of social graces.
He will definitely be missed.
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This is a re-blog from Carolyn's original post last year after Arnaud Maggs passed in November, 2012.
Carolyn Tripp is an artist and writer living in Toronto. Her Tumblr projects are here. Everything else is here.
Photo: Arnaud Maggs via the CBC.
1 comments:
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